NASP MICA Lubricant
13,99 € – 99,00 €
excl. VAT
Get a 15% discount now – from an order value of €200!
Instructions for use:
Sprinkle generously on the parts to be lubricated and protected. Wait a few minutes and then remove the NASP® Mica Lubricant with a cotton or microfiber cloth until metal is visible. The nanoparticles that make it up have saturated, lubricated and protected every cavity. Repeat the process if you see blackish traces and change the cloth (these traces show that the NASP Mica Lubricant has cleaned and removed old dirt and oxidation residues). You can carry out the same process on external surfaces, whether metal, plastic, leather, wood or other materials, to protect them from dirt, moisture, sweat and environmental soiling.
Additional information
| Weight | 150 g |
|---|---|
| Dimensions | 6,2 × 3,8 × 18,8 cm |
| Weight | 150gr, 5Kg |
NASP® Mica Lubricant was born after years of study and research to optimize the lubrication required by components and precision equipment. All these devices should operate in sterile environments free from dust and atmospheric contamination. In fact, many things affect this component, leading to a noticeable reduction in its performance.
NASP MICA Lubricants Antiseize
As almost all lubricants are based on mineral or, worse still, natural oils that become rancid or resinous over time. The metals to which they are applied corrode instead of being protected. e.g. brass contains high levels of copper and tends to form copper oxide, resulting in pitting of products and components.
NASP® Mica Lubricant contains no oils, soaps, waxes, greases, lithium, emulsions of any kind.
It is produced by inserting an absolutely inert nano-lubricating element into a synthetic base.
It never gums up and lubricates and protects musical instruments over a long period of time.
We do not recommend lubricating musical instruments with oils, for example, as in our opinion these are the main cause of dirt accumulation and poor lubrication performance. In fact, they tend to migrate from surfaces without lubricating them and exposing them to wear. No surface is smooth as we perceive it: not even that of a mirror! This means that when the piston of a horn or its drawstring slides in their chambers, we have a metal-on-metal contact that removes oxide and dirt and, as mentioned earlier, becomes a dangerous abrasive that affects the instrument and its performance. An oil could not adhere and is unsuitable to ensure its lubrication and protection.
